Will You Love Me Again Music Video
Music videos are the most remarkable works of art of the mod world. The MTV generation of the '80s and '90s watched eye-communicable clips from the creative pioneers who launched the medium. Nowadays, artists strive to make videos that eclipse boundaries already broken in hopes of gaining attending.
More than music videos get released all the fourth dimension, but only a select few accept been powerful plenty to spark controversy, launch careers and withstand the test of time. These are some of the most iconic music videos of all time.
Michael Jackson – "Thriller" (1983)
Michael Jackson's most iconic video is a mini-motion-picture show that runs for 14 monstrous minutes. The spooky spectacle is an homage to old horror films mixed with campsite and an unforgettable dance routine with a horde of zombies. It's Michael Jackson at his finest.
The video made "Thriller" an essential song for every Halloween party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. Information technology's so iconic, in fact, that it's currently the only music video preserved in the Library of Congress' National Moving picture Registry.
Madonna's legendary musical career explores the complicated relationship betwixt sex and religion, and no music video in her career better illustrates her life'due south work than "Like a Prayer." The powerful video explored injustice in the prison system, interracial love and spirituality.
It would be an understatement to say the video didn't cause controversy. Critics hailed it for its symbolic imagery, but family and religious groups were horrified. Fifty-fifty the Vatican condemned Madonna's video, criticizing its "blasphemous use of Christian imagery." In response, Pepsi notoriously canceled its multi-million dollar campaign that used the song.
Childish Gambino – "This Is America" (2018)
Gambino's rap/gospel video is a gripping meta interpretation of the social injustices that accept plagued African Americans for years. The artist seamlessly weaves through protestors, shooting sprees, police brutality, all the while sidetracked with a grouping of dancers fixated on the latest dance moves.
The cyberspace spent weeks watching the video, attempting to decode its glimmer-and-you lot'll-miss-it symbolic imagery. Endless think pieces later on, the video cemented the vocal as a mod-day protest anthem confronting gun violence, constabulary brutality and discrimination.
George Michael – "Freedom! '90" (1990)
In 1990, George Michael was at the top of his game. His music videos were in heavy rotation on MTV, and his albums were selling out across the world. Just when it came time to make the video for "Freedom! '90," Michael had had plenty of the pop music rat race.
He grew tired of the pressures of fame and wanted to take a step back from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his vocal, equally symbols of the pop legend burned in flames.
Missy Elliot – "The Rain (Supa Dupa Fly)" (1997)
When it comes to outrageous music videos, no one comes close to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying trip the light fantastic toe routines. She has a catalog of amazing choices, simply her breakout video, directed by Hype Williams, remains the rapper's most iconic of all time.
In the video, Missy sported her glittered helmet spectacles and patent leather accident-up suit, besides lovingly referred to every bit her "trash pocketbook chimera." The video besides filled the screen with neon landscapes, pelting dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Single Ladies (Put a Band on It)" (2008)
"Unmarried Ladies" had no costume changes, no set changes and very simple choreography. It sounds like a recipe for something boring, but the less-is-more approach made Beyoncé's moves nix short of captivating. Fans across the earth went wild over the dance, and many wannabes uploaded their ain versions on YouTube to the delight of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year award. However, she lost the Moonman for Best Female person Video to Taylor Swift, prompting a very drunk Kanye Westward to interrupt Swift during her acceptance speech on Beyoncé'south behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel's "Sledgehammer" was a trippy tour de force. In the video, the British rocker danced his style through playful vignettes of claymation, pixilation and cease-motion animation. In reality, he had to lie under a canvas of glass for 16 hours and so they could motion picture the video one frame at a fourth dimension.
His efforts paid off. The video was a marvelous display of creativity, weaving through crazy scenes seamlessly. Information technology went on to win nine MTV Video Music Awards in 1987, the most awards a video has always won.
Nine Inch Nails – "Closer" (1994)
This creepy clip took place in what can just be described every bit a 19th-century doctor's office with a touch of S&K. Ix Inch Nails frontman Trent Reznor found himself blindfolded, gagged, windswept, handcuffed and surrounded by various dismembered animals.
The video was too explicit for Boob tube, so several scenes were blocked by a blackness screen that read "Scene Missing." The video was later voted number one in a VH1 Archetype poll for "The Greatest Music Videos of All Time."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled down on self-love and female empowerment at the coolest desert party of all time. In the 2018 video for "Pynk," women were safe to exist themselves — and men weren't necessary. The queer representation and anatomically-various lady pants were a visual breath of fresh air.
The video premiered around the time Monáe came out as pansexual, which was a big moment for the very private vocalist. For that reason, the video'southward visuals and message made the song an anthem for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "Tonight, This night" (1996)
The Keen Pumpkins ordinarily made heavy metal goth stone, but this song was different. "This evening, This night" was an orchestral, climactic ballad with a video that harkened dorsum to the silent movie era.
The video's primitive effects and plough-of-the-century costumes were a surprising visual counter to the ring'southward sound. It was a significant visual departure for the band, and it paid off in droves. Silent films were suddenly all the rage, and the band won 6 MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince cover. The video by and large consists of a closeup shot of her confront every bit she sang through her anger and sadness. Toward the terminate of the video, ii existent tears rolled down her cheeks.
The prune nerveless three Video Music Awards in 1990, including Video of the Year. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to look into the camera for their music videos, simply nothing compares to Sinéad'southward devastated gaze all these years later.
OK Go – "Hither It Goes Once again" (2006)
OK Go made a proper noun for themselves in the early 2000s with their low upkeep viral videos. Their first video for "Here Information technology Goes Over again" was a complex trip the light fantastic toe routine on treadmills performed in one take. It was their get-go taste of virality and changed the music video game forever.
YouTube was becoming the side by side MTV, and musicians looking to make a wave had to think fast. OK Go had the idea to create music videos with the intention of trending on the cyberspace. They kept the same formula intact for all their videos that followed.
A-ha – "Have On Me" (1984)
A-ha fabricated music video history cheers to the animation style known every bit rotoscoping. Animators describe over motion picture footage frame by frame to produce realistic action with a cartoon look. It sounds like a lot of work — and it is — but information technology paid off for the Norwegian synthpop band.
The video'southward romantic storyline and whimsical blitheness fashion made MTV history. The group won six Moonmen at the 1986 Video Music Awards and amassed over 930 one thousand thousand views on YouTube. Bands like Weezer and Paramore accept created their ain video tributes using the iconic style.
Christina Aguilera, Lil' Kim, Pink, Mya and Lil Kim — "Lady Marmalade" (2001)
It's the ultimate pop music collaboration. These four powerhouses joined forces with a lot of lingerie for a cabaret like no other. Like a circus on acid, each performer showed off tiny costumes, sultry trip the light fantastic moves and outrageous hair and makeup.
The blend of hip hop, pop and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Award for Video of the Year and the 2002 Grammy Accolade for Best Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Beloved" (1995)
Burning Man meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their dwelling house state of California. Filmed inside the actual Thunderdome from Mad Max Across Thunderdome, the powerhouse rap duo threw a post-apocalyptic rave in the desert for the video.
Everyone in this video'south twisted future drove giant jeeps and wore steampunk armor. The sepia-toned, desert visuals make the video look futuristic to this mean solar day, unless you've ever been to Burning Human. Then information technology's just another mean solar day at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam's "Jeremy" was a chilling illustration of loneliness and depression. The troubled lead, Jeremy, moved through frozen family members and classmates as the music intensified. Strobe lights flashed equally words like "problem" and "ignored" appeared, pushing Jeremy to his breaking point.
In the video'southward unedited climax, Jeremy reached for a gun in his desk-bound and shot himself. MTV restricted the most violent parts from ambulation, and an alternative version was released. The video was all the same powerful after the edits, only Pearl Jam stopped making videos for years post-obit the controversy.
Outkast – "B.O.B." (2000)
Outkast has so many iconic music videos that it'due south difficult to pick simply one. "Miss Jackson" saw Andre 3000 and Big Boi relieve a business firm from flooding as animals bounced their heads to the music. "Hey Ya!" offered a Beatles-way operation on live Tv set.
But none of Outkast's other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their community while expressing their unique individuality. No one could mix technicolor suburbia, chains–clad Bail girls and gospel choirs quite like Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $seven million ride into history. The video for "Scream" earned the Guinness Book of Globe Records title for the most expensive music video ever made. The video gave Michael a gamble to retaliate (angrily) confronting the media.
The spaceship featured a selection of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons let out their aggressions and danced with a vengeance. It was a complicated fourth dimension in the King of Popular'southward controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's singer Jay Kay takes viewers on a ride with the near confusing dance sequence in music video history. Performed in a white room with a grey floor, Jay Kay sang the vocal as the floor appeared to move while the room stood still.
Viewers and critics agreed that this was a stunning display of special effects. Jay Kay'southward baroque dancing helped a little likewise. The video won four Moonmen at the 1997 Video Music Awards, including Video of the Year.
Sia – "Chandelier" (2014)
Earlier making information technology large as a pop singer, Sia was a talented songwriter for large-proper noun acts like Rihanna and Katy Perry. Years afterward releasing her own indie music, Sia broke through with 1000 Forms of Fear. The only problem was she was afraid of the attention.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the young dancer donned a blond wig and danced through Sia's powerful song. The choreography fit the song perfectly, and Sia enjoyed the spotlight from a safe distance.
Nirvana – "Smells Like Teen Spirit" (1991)
The song ushered in the grunge motion, but the video for "Smells Like Teen Spirit" ushered in the look. First-time director Samuel Bayer took a typical loftier school concert and turned it into a total riot. What else would you look from a schoolhouse with cheerleaders sporting anarchist symbols?
The grunge rock movement paired well with a general apathy toward society, and the video exemplified that. In fact, the students shown in the video were actually bored after filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The water. Those matching pastel pants! TLC were aquatic muses with a warning for the world in their iconic "Waterfalls" video. T-Boz'south raspy voice offered two tales of gang violence and dangerous sexual practice as viewers watched the stories unfold.
Not even Left-Center's timeless rap could save the characters from making the wrong decisions. By the stop of the video, T-Boz, Left-Eye and Chili appeared liquified next to an actual waterfall — and danced their fashion into '90s history.
Kendrick Lamar – "HUMBLE." (2017)
Lamar fabricated music video history with the release of his spiritually charged video for "Apprehensive." The video started with Lamar dressed like the pope, looking somber in a cathedral. He later recreated Leonardo da Vinci's 15th-century painting The Last Supper, with Lamar, naturally, sitting in Jesus' chair.
In between religious visuals, Lamar played with money, golfed in an underpass and stood surrounded by men on fire. Critics hailed it every bit a critique of society's focus on consumerism. Perchance we should all "sit down and be humble."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine epitome for years, but that came to a screeching halt in 1999. Something was unlike about the elusive chanteuse with the release of "Honey." The squeaky clean vocaliser spent the video diving in a bikini and dancing style more suggestively than ever before.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pin for the diva and a not-and then-subtle nod to her divorce. In the video, she escaped captivity from a wealthy human being'due south mansion and began the rest of her life equally a gratis, liberated woman.
Guns N' Roses – "Nov Rain" (1992)
The video for Guns 'Due north' Roses booming ballad "November Rain" featured the most rock due north' whorl wedding of all time. In the video, pb singer Axl Rose married his then-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Betwixt shots of the wedding reception, viewers watched in loftier-def as the band performed "live." The $1 million video concluded in despair after nine beautiful minutes. Rain poured down during the reception, which then segued into shots of Seymour's funeral. It's confusing, but still ballsy.
Rihanna & Calvin Harris – "We Found Beloved" (2011)
Music videos depicting relationships gone wrong are a dime a dozen. Nevertheless, director Melina Matsoukas created a relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend before leaving him in a puddle of drugs and alcohol.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their chaotic beloved. It won the Grammy Honour for All-time Brusk Course Music Video and the VMA for Video of the Year.
Queen – "Bohemian Rhapsody" (1975)
Before the regular release of music videos, in that location were promotional videos. Also known equally "pop promos," the videos played on TV stations when the bands couldn't be there to perform for the cameras. Queen specifically wanted to produce their video so they could avoid lip-syncing to their song on Elevation of the Pops.
It turned into more than a performance clip of the band; it was an artistic statement. The video is one of the master catalysts for the creation of MTV and the cosmos of music videos at large. It currently has more than than ane billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Earlier the video was filmed, Fonsi had some requests. First, he wanted 2006'south Miss Universe, Zuleyka Rivera, bandage to stand for "the power of a Latina woman." Next, he wanted the video to celebrate Latin American civilization and amplify the song's soul accurately.
He nailed information technology. The video perfectly captured the beauty of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the globe with their infectious striking. "Despacito" stands solitary on YouTube with more than 6.four billion views, making information technology the about viewed music video of all fourth dimension.
Prince – "When Doves Cry" (1984)
Doves, flowers and a smoking bathtub all inside the first 10 seconds? It must be Prince. Wearing nothing but a cross around his neck, Prince rose from his bathtub and stared into the camera, holding his hand out for whoever wanted it.
The video featured Prince getting dressed to perform, mixed with scenes from his Academy Honour-winning rock musical Regal Pelting. It was one of the first clips to spark controversy for being too sexually explicit for Television set.
Bjork – "Big Time Sensuality" (1993)
This is the video that fabricated Björk a household name, and the premise was elementary: Film Björk while she dances on the back of a truck in New York City. Simple or non, it was merely bizarre enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre dance moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on full display in the Big Apple tree, and you could almost feel her joy climb through the black and white prune.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their basis. Most videos at the time showed bands performing their songs as if they were on some other stage. There weren't a lot of creative special effects used notwithstanding. That is, of grade, until Bowie got into the mix.
Bowie was already a creative fable, but music videos gave him the chance to push boundaries even further. The opulent, otherworldly clip cost more than than $425,000 to make, making it one of the virtually expensive music videos of all time.
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